Interface
Design profiles the contemporary designers who matter most: those who
are poised to define the new future in the interface and interaction of
digital communication. Propelled to be a new kind of world-class breed:
a global creative department that generates futuristic interface designs
true to the users' needs. This is achieved this by embodying creative
mixture of characteristics that include being fun, flexible and young
of mind; which, at the same instance, is entwined by being radical, inspirational
and positive. This group seeks improvements and changes in every manner
with which humans communicate via appliances, machines and devices.
Here is the culmination of design collaborations with the subject matter, defining users' needs and stretching out all limits in technological achievement, accomplished through freedom of choice, expression, information, space, communication and movement.
Works exhibited here range from 2-week projects to 10-week, final-year projects, which includes both second-year majoring as well as final-year interface design students. All works originate from organic and natural metaphors. They are produced with careful studies on the characteristics, form and function, and feasibility of those metaphors with respect to the project requirements. Studies are also conducted on present-day, available communication and interaction technologies. Some works exhibit explorations on form and art, while others attempt a holistic design approach.
Metaphorically, creative pixels describe us: minute in nature, but forming the very essence of colour, shape, form and line. As we grow in a holistic nature and as an entity, our corners shall cut the boundaries of design and technology, and revolutionise the future of digital appliances, handheld and mobile designs to come.
Here is the culmination of design collaborations with the subject matter, defining users' needs and stretching out all limits in technological achievement, accomplished through freedom of choice, expression, information, space, communication and movement.
Works exhibited here range from 2-week projects to 10-week, final-year projects, which includes both second-year majoring as well as final-year interface design students. All works originate from organic and natural metaphors. They are produced with careful studies on the characteristics, form and function, and feasibility of those metaphors with respect to the project requirements. Studies are also conducted on present-day, available communication and interaction technologies. Some works exhibit explorations on form and art, while others attempt a holistic design approach.
Metaphorically, creative pixels describe us: minute in nature, but forming the very essence of colour, shape, form and line. As we grow in a holistic nature and as an entity, our corners shall cut the boundaries of design and technology, and revolutionise the future of digital appliances, handheld and mobile designs to come.
